Sanditon by Kate Riordan - My Review

 
Today the review roundup blog tour for Sanditon by Kate Riordan stops here for my review of the book. This is the novelisation of the Sanditon completion mini-series. In the UK, this aired last year, so I've watched the whole series... twice... but it's just started showing in the US. Let's take a look at the blurb and then we will look at what I thought of the book.

Book Description

In the vein of Downton Abbey, Jane Austen's beloved but unfinished masterpiece-often considered her most modern and exciting novel-gets a spectacular second act in this tie-in to a major new limited television series.

Written only months before Austen's death in 1817, Sanditon tells the story of the joyously impulsive, spirited and unconventional Charlotte Heywood and her spiky relationship with the humorous, charming (and slightly wild!) Sidney Parker. When a chance accident transports her from her rural hometown of Willingden to the would-be coastal resort of the eponymous title, it exposes Charlotte to the intrigues and dalliances of a seaside town on the make, and the characters whose fortunes depend on its commercial success. The twists and turns of the plot, which takes viewers from the West Indies to the rotting alleys of London, exposes the hidden agendas of each character and sees Charlotte discover herself... and ultimately find love.

My Review of Sanditon by Kate Riordan

As this is a novelisation of the series I think I should start by telling you (briefly and in as spoiler-free fashion as is possible) what I thought of the series. In preparation for watching it I read the fragment of Sanditon. by Jane Austen. It really is a fragment, introducing a whole cast of characters but not much more. My deduction from the fragment was that Charlotte was a very normal heroine, who I liked very much. Sidney Parker was the likely hero, and pretty much the rest of the characters were comic relief, all of them being odd in their own way. There was clearly rivalry for Lady Denham's money, and Clara Brereton was pitted against the buffoon Sir Edward Denham and his unlikeable sister Miss Denham in the quest of it.

I felt that in the adaptation, in terms of characters some were the same and some were changed - our heroine Charlotte and Lady Denham were the same as I had envisioned, for example, but Sir Edward Denham is most certainly no buffoon, but a ruthless man, focussed entirely on the pursuit of his inheritance. Miss Denham is cold and unlikeable - until I started to pity her, and then I was absolutely on her side, not in securing an inheritance, but in finding the happiness that I felt she deserved. What about the person I had earmarked as a hero, Sidney Parker? Well, he isn't portrayed as the character that I had expected (like Henry Tilney from Northanger Abbey but more handsome, if you are interested!). He's more a Mr Darcy but with less polish and subtlety. I was a bit frustrated by that, because a Mr Darcy-style love/hate hero almost feels like a default choice, due to the success of Pride & Prejudice in popular culture. We literally only just meet Sidney at the end of the fragment. He is described as lively, leading me to expect a light-hearted hero rather than the burdened, sombre and sometimes churlish character in the adaptation. However, his description in Austen's fragment is given by people whose judgement may be faulty, so I wouldn't say that this deviation is counter to Austen's starting point.

I started off watching the adaptation hoping for something that I could believe that Austen herself had written but I had to abandon this hope - we are through her material by midway through the first episode and some of the content I felt was decidedly not Austen. There is some sexual content and although I think Austen would certainly have been aware of sex, she would not have written about it! There is also nudity but I felt this was acceptable nudity. It's in the context of seabathing, which men did in the nude in those times. Once I gave up my admittedly unreasonable hope of somebody channelling Jane Austen and writing something that I could believe came from her I decided that I would need to enjoy Sanditon as an historical drama on its own merits. And I did enjoy it, aside from some frustration at hairstyles I deemed too modern, until the ending.

I am sure you will have heard our splutters of indignation across the pond, as UK viewers found that they were robbed of the 'happy' ending that we had expected so I don't see it as a spoiler to mention it. Instead we are given an ending that I felt was an opening for a second series which left me feeling a little cheated! However, as people viewing it now will have been warned  of the ending, perhaps you won't be as cross as I was about it. I hope that we are treated to a second series, because aside from Charlotte's story, I felt that other stories had been started but not finished, such as that of Miss Lambe, Jane Austen's only non-white character. I also wanted to know what fate had in store for Arthur Parker, who I have a fondness for - he is so funny, and not enough time was devoted to him.

So, moving onto the book. This is a novelisation of the series, rather than a book that has been translated into an adaptation. I think the big plus from this is that we don't get any moments that jar because they've been changed in the adaptation. Everything is just the same, but just enriched by the extra detail that can be added in a book such as characters' thoughts and motivations! There were some things that the book didn't deliver on as well as the adaptation - little details, such as the impressions left on the viewer from looks and visual hints. For example, there was a character who I was sure things wouldn't work out for based on something visual, although I will be fair and say that Kate Riordan dropped hints in other ways in relation to this particular person.

I really enjoyed reading this book; it took me through the series in my mind with additional embellishments of detail. The author's style isn't like Austen - probably more modern and simplified compared to her in terms of language, but you could feel absolutely immersed in the life of Sanditon.

Obviously, huge spoilers for the series abound in the novel, so I'd recommend that if you enjoy the series, you then move on to the novel; personally I wouldn't do it the other way round because I so enjoyed reliving it in my mind.

As stated above, there is some sex in the adaptation but the same scenes in the novel are decidedly non-graphic, which I felt was a good choice.

My recommendation is to give the adaptation a chance, bearing in mind that it isn't Austen, and there is no telling where she would have taken the story. If you enjoy it then I'd certainly give this novelisation by Kate Riordan a go. I enjoyed it, and I'd rate it as a 4 star read.

My thanks go to Grand Central Publishing who provided me with a copy of Sanditon by Kate Riordan for my honest review, and a copy of The World of Sanditon by Sara Sheridan, which I hope to read soon! I'd also like to thank Laurel Ann from Austenprose, for organising the blog tour.

Author Bio

Kate Riordan is a writer and journalist from England. Her first job was as an editorial assistant at the Guardian newspaper, followed by a stint as deputy editor for the lifestyle section of London bible, Time Out magazine. There she had assignments that saw her racing reindeers in Lapland, going undercover in London's premier department store and gleaning writing tips (none-too subtly) during interviews with some of her favorite authors. After becoming a freelancer, she left London behind and moved to the beautiful Cotswolds in order to write her first novel.

Buy Links

Sanditon by Kate Riordan is available to buy now, in paperback, ebook and on audio.

Amazon US / Amazon UK/ Amazon CA / Audible US / Audible UK / Barnes & Noble / Book Depository / Indiebound / Add to Goodreads Shelf

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SANDITON REVIEW ROUNDUP SCHEDULE:

January 13              Austenprose—A Jane Austen Blog

January 14              History Lizzie

January 17              Babblings of a Bookworm

January 20              Confessions of a Book Addict

January 20              Living Read Girl

January 25              Margie’s Must Reads

January 26              My Jane Austen Book Club

February 03            The Lit Bitch

February 10            Unabridged Chick

February 10            Laura’s Reviews

February 13            Bookfoolery

February 14            Half Agony, Half Hope

February 17            Scuffed Slippers, Wormy Books

February 18            Impressions in Ink

February 23            From Pemberley to Milton

February 24            So Little Time…

February 24            Vesper’s Place

February 26            Austenesque Reviews

February 28            My Vices and Weaknesses

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Sanditon by Jane Austen

In preparation for the mini-series, completed by Andrew Davies, which was starting this weekend on British TV I thought I should probably reacquaint myself with the fragment that Jane Austen started, and had to put aside when she became ill, and soon afterwards died. Apparently her working title was The Brothers but we know it as Sanditon.

This is the blurb, from Amazon:

'no person could be really well . . . without spending at least six weeks by the sea every year'

In Sanditon, Jane Austen writes what may well be the first seaside novel: a novel, that is, that explores the mysterious and startling transformations that a stay by the sea can work on individuals and relationships. Sanditon is a fictitious place on England's south coast and the obsession of local landowner Mr Thomas Parker. He means to transform this humble fishing village into a fashionable health resort to rival its famous neighbours of Brighton and Eastbourne.

In this, her final, unfinished work, the writer sets aside her familiar subject matter, the country village with its settled community, for the transient and eccentric assortment of people who drift to the new resort, the town built upon sand. If the ground beneath her characters' feet appears less secure, Austen's own vision is opening out. Light and funny, Sanditon is her most experimental and poignant work.

* * *

I’d read the first chapters previously, in a sense, as I’d read a completion - Sanditon, by Jane Austen and a Lady (Marie Dobbs) which I enjoyed very much. It’s going to be strange for me to see it go another direction in the adaption and yet I’m eager to see where the story is taken. I really hope they do the story justice.

Unfortunately, the fragment really didn’t get far beyond setting out the main characters, which is such a shame, as I would have loved to know where Austen was going to take this tale. We start off with Mr Thomas Parker having an accident. He’s gone to try and poach a doctor for his home town of Sanditon, which he is trying to develop as a fashionable seaside resort. Mr Parker is a fond husband, father and brother. He is a little obsessed with Sanditon, and making it a success. Mr Parker’s accident leads to him spending 2 weeks staying with the Heywoods and at the end of the two weeks he and his wife return to Sanditon. They would like to bring any number of Heywoods with them but although there are a LOT of them (parents plus 14 children, the eldest of whom have presumably moved out) they are forced to content themselves with the eldest daughter still at home, Miss Charlotte Heywood.

An aside to this: Jane Austen mentioned a Miss Charlotte Williams in her correspondence to Cassandra, and said: “I admire the Sagacity & Taste of Charlotte Williams, those large dark eyes always judge well. I will compliment her, by naming a Heroine after her.’ and perhaps this was Charlotte Heywood, particularly as she appears to have good judgement.

Charlotte is quite lovely as a heroine. She is sensible and ordinary, and as such, the reader can really identify with her. She seems to be one of the few people who judges the other characters clearly. For example, this is her take on Mr Tom Parker, which seems to me to be fair:

His judgement is evidently not to be trusted. His own good nature misleads him. He is too kind-hearted to see clearly.

Mrs Parker is a sweet lady, fond of her husband and children, but not very strong minded.

So entirely waiting to be guided on every occasion that whether he was risking his fortune or spraining his ankle, she remained equally useless.

Upon going to Sanditon, Charlotte meets with Lady Denham, who is Mr Parker’s investment partner in Sanditon. Lady Denham has been married twice and is now widowed. Her first husband was rich, her second had a title. She is childless and has three families competing for her money. The families of both of her husbands and her birth family, the Breretons. She has a poor relative from her birth family living with her, and her good opinion is courted by the second husband’s family. Lady Denham has no illusions about the grabbiness of her relatives and yet, she is an unsympathetic and unlikeable lady.

She is very, very mean. I can see no good in her.

Miss Clara Brereton is the poor relative who lives with Lady Denham. She is beautiful and somewhat tragic. Reading between the lines, Clara gives off a vulnerable air. She has enemies, but she is aware of it. Charlotte’s judgement of Clara is, for her, quite whimsical.

She could not separate the idea of a complete heroine from Clara Brereton.

Sir Edward Denham is also introduced. He is a remarkable character; remarkably vain and stupid:

Why he should talk so much nonsense, unless he could do no better, was unintelligible.

But there’s also an intrigue to his character. He is determined to seduce Miss Clara Brereton, both to keep her out of Lady Denham's good graces and hence will, but also because he thinks rakes are both dashing and admirable:

With a perversity of judgement which must be attributed to his not having by nature a very strong head, the graces, the spirit, the sagacity and the perserverance of the villain of the story out- weighed all his absurdities and all his atrocities with Sir Edward. With him such conduct was genius, fire and feeling.

Sir Edward’s sister, Miss Denham is just coldly unpleasant. She cosies up to Lady Denham and tries to feel superior to everybody else:

The change from Miss Denham sitting in cold grandeur in Mrs. Parker's drawing room, to be kept from silence by the efforts of others, to Miss Denham at Lady Denham's elbow, listening and talking with smiling attention or solicitous eagerness, was very striking ~ and very amusing or very melancholy, just as satire or morality might prevail.

Mr Parker has two grown sisters, Diana and Susan. Susan is referred to as Miss Parker, and Diana as Miss Diana Parker so Susan must be the elder sister. They are both unmarried, and are both invalids when they have nothing else to do. Diana particularly is a busybody:

It would seem that they must either be very busy for the good of others or else extremely ill themselves.

They live with the youngest of Mr Parker’s siblings, Mr Arthur Parker. He is 20. His sisters think him an invalid and encourage him to think likewise. Charlotte’s opinion differs slightly:

Charlotte could not but suspect him of adopting that line of life principally for the indulgence of an indolent temper, and to be determined on having no disorders but such as called for warm rooms and good nourishment. 

A scene which I enjoyed very much involved Arthur, and after I read it I found myself snorting inelegantly over lunch when I recalled it as I was asked to pass this butter. This is Arthur’s excuse for not eating dry toast but preferring to butter it. Apparently dry toast has the following effect on one’s stomach lining: 

It irritates and acts like a nutmeg grater.

Following Arthur’s example, if one scrapes off the butter while one’s sisters watch, and then scrape it back on quickly, unobserved, before eating, there is no blame associated with eating toast which is not dry :)

We are also very briefly introduced to some further characters. A Mrs Griffiths brings her pupils, the Misses Beaufort and the rich Miss Lambe, a 17 year old heiress ‘half-mulatto’. A ‘mulatto’ means a mixed race person, usually with one black parent and one white. I don’t think that is was an offensive term at the time. I think this is the only non-white character in all of Austen. On a personal level, Austen may have heard of Dido Belle who was another mixed race person whose fortune placed her in a higher level than her race would otherwise have allowed. It would have been fascinating to see where Austen had taken this character! If only!

The Beaufort sisters seem fine enough, though they are clearly anxious for displaying both their talents and their persons. We only have a fleeting acquaintance with them.

The last character we meet is the remaining Parker sibling, Mr Sidney Parker, who apparently is 4th in the family, as he is older than Arthur. We know from his brother’s reports that Sidney makes him laugh despite himself so he sounds like a fun character. In addition the narrator tells us that:

Sidney Parker was about seven or eight and twenty, very good-looking, with a decided air of ease and fashion and a lively countenance.

From this description I have decided that Sidney was the possible hero, but what happened after that is uncertain!

As a beginning, the fragment is very satisfactory. There are some very interesting characters, and the possibility of an intrigue between Miss Brereton and Sir Edward. This is particularly interesting because it’s clear that he doesn’t have honourable intentions and it’s also clear that she’s quite aware of this and is determined not to be taken in. You get the impression that she is stringing him along, and given the fact that he doesn’t mean well by her, I have no problem with this at all!

Given the fact that Austen didn't have the chance to edit the fragment, it contains some of her acerbic wit. It was visible in her letters, and there are smidges of it here too. If she had been able to write Sanditon more, perhaps these delicious snippets would have been lost forever, but I enjoyed such lines as the following, which reminded me of the lines in Pride & Prejudice, where Elizabeth states, that one good sonnet will use up all of a person’s attraction for another:

I have not faith in the sincerity of the affections of a man of his description. He felt and he wrote and he forgot.

There was also such biting social commentary and ‘punmanship’ as:

The Miss Beauforts were soon satisfied with "the circle in which they moved in Sanditon," to use a proper phrase, for everybody must now "move in a circle" ~ to the prevalence of which rotatory motion is perhaps to be attributed the giddiness and false steps of many.

Also the chortleworthy one liners for the reader to enjoy:

The more wine I drink in moderation the better I am.

It’s such a shame that Austen lived such a short time. Who knows what would have happened in this story, and what else she may have written. It’s pointless to dwell on it though, we just need to be thankful for what she DID write.

Have you read any Sanditon completions? The one I read was great, and I’d certainly recommend that (you can read my review of Sanditon, by Jane Austen and completed by Marie Dobbs here). The only shame is that you can’t get it on kindle. I got it second hand, which I think is the only way to get it at present, and currently the prices appear to be quite high, no doubt due to the adaptation. I’ve also read a short story by Abigail Bok based in Sanditon, which forms part of the Sunkissed: Effusions of Summer Anthology, but nothing else. While looking for links to add to this post I found a list of Sanditon continuations, but I haven’t read any more of them myself.

Let me know about any Sanditon recommendations that you have in the comments!

Sanditon – by Jane Austen, Completed by Another Lady

In early 1817 Jane Austen began writing a story called ‘Sanditon’. She was only able to work on it for around 7 weeks before her health deteriorated to such an extent that she had to abandon it. She died around 4 months later, bequeathing the unfinished manuscript to her neice, Anna Austen Lefroy. There are a number of continuations of the book (there’s a list here) but the reason I chose to read this one, written in 1975, was because I saw a recommendation on a blog (if I recall correctly, it was The Bookrat) saying that they hadn’t noticed the join between Austen’s words and the completion. I thought I’d go into it without knowing where the join took place either.